That makes her the meatiest of the characters, and Kruger’s scowling physicality in the role makes her the thriller’s most dynamic presence. Mace has always been a lone wolf and she meets her match in Marie, whose fiercely solitary nature and reluctance to trust anyone were set in stone when she discovered at age 15 that her father was a double agent working for the Russians. But her fingerprint recognition on a tracking device and the target now on her back oblige her to tag along.Īs much as the film advocates for female empowerment, the separation of the characters according to their family and romantic affiliations, or lack of them, seems a tad reductive. Horrified by all the gunfire and violence, Graciela just wants to return home to her precious family. With both Mace and Marie having failed to retrieve the device for their respective intelligence organizations, they are forced to quit beating the bejesus out of each other and team up. But that doesn’t make the bad guys here any more interesting. At one point a character notes that unlike the Cold War or the War on Terror, cyber warfare pits them against an invisible enemy. But before she can get him out of France, they are set upon by armed thugs working for the most colorless mercenary in recent screen memory (Jason Flemyng). Graciela Rivera (Penélope Cruz) is sent by her government to bring the rogue Luis back into line and return the cyber weapon to them. An unfortunate casualty ups the emotional stakes for Mace, who brings in her former MI6 ally, Khadijah Adiyeme (Lupita Nyong’o), an ace computer hacker who has sworn off spycraft for a quieter life of romantic bliss. German operative Marie Schmidt (Diane Kruger) snatches the bag she believes contains the device and parallel chases ensue, with Nick in pursuit of Luis above ground while Mace hunts down Marie in the Métro tunnels. Naturally, the mission doesn’t go as planned.
#Jessica cruz yellowjackets professional
Although Mace doesn’t want to mess up the friendship, her resistance lasts about a minute, which undercuts the main character by putting girlish vulnerability in the way of her professional instincts. Their relationship has been strictly platonic, but since they’re posing as Iowan honeymooners, Nick puts the romantic moves on her. Hotheaded loose cannon Mason “Mace” Browne (Chastain) is dispatched from Langley to Paris with fellow agent Nick (Sebastian Stan), a close friend who went through training with her. When a data key that can access and shut down any closed system on the global net is seized by Colombian intelligence officer Luis Rojas (Édgar Ramírez) during a deal that goes awry, he sees an opportunity to set himself up for retirement by selling the cyber weapon to the CIA. That goal involves keeping an advanced technological device out of enemy hands. In this case, that’s women who put themselves in danger to protect the rest of the world from it.Īn elementary feminist perspective is baked into the material, from the hard-learned lessons of women placing their trust in the wrong men to the short-sighted disdain of a male villain berating his colleague for being outmaneuvered by “a bunch of girls.” But the real backbone of the story is female solidarity - with even women who start out from adversarial positions discovering the benefits of pooling their strengths and resources for a common goal. The aim, by extension, is to provide recognition for overlooked women working behind the scenes in all manner of fields. The title is a code-name nod to a real-life female operative who conveyed key information about British troop movements to American generals serving under George Washington in the Revolutionary War.
But its thinly drawn characters and rote, often logistically unsound plot mechanics make this an unlikely bid to bring distaff energy to Bond and Bourne territory, notwithstanding the optimistic closing scene leaving the door ajar for sequels.
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He co-wrote The 355 with playwright Theresa Rebeck, who has a long history with TV cop procedurals, from NYPD Blue to Law & Order: Criminal Intent. Screenwriters: Theresa Rebeck, Simon Kinberg story by Rebeck Cast: Jessica Chastain, Penélope Cruz, Fan Bingbing, Diane Kruger, Lupita Nyong’o, Édgar Ramírez, Sebastian Stan
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